PAST EXHIBITIONS
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EXHIBITION ARCHIVE
- EXCHANGE GALLERY: Celebration - Belfast Exposed Photographic Archive
- 10/12/11 - 01/01/12
- Contraband - Taryn Simon
- 28/10/11 - 30/12/11
- EXCHANGE GALLERY: Men and my Daddy - Adam Patterson
- 30/09/11 - 28/10/11
- Silent, Empty, Waiting for the Day - Mary McIntyre
- 02/09/11 - 14/10/11
- Polonia and Other Fables - Allan Sekula
- 08/07/11 - 19/08/11
- 'the soil and the atmosphere' -
- 07/05/11 - 18/06/11
- EXCHANGE GALLERY: Will we be there? - Zoe Hamill, David Mann and Brian Morrison
- 28/04/11 - 28/05/11
- Secret Satellites - Group Show
- 19/03/11 - 30/04/11
- Make it new John - Duncan Campbell
- 21/01/11 - 04/03/11
Shadow Play
- Hans-Peter Feldman
- 21 October to 20 December 2010
Belfast Exposed is pleased to present Shadow Play, an installation by veteran conceptual artist Hans-Peter Feldmann. Feldmann is well known for his book works and a practice which combines found photographs, images from advertising, magazines and private albums with kitsch knick-knacks and other ephemera to produce playful, unsettling narrative arrangements.
Shadow Play is comprised of small figurines and household objects placed on slowly revolving platforms. Illuminated by a number of spotlights, their shadows cyclically carousel across the wall. Figures weave in and out of focus, morphing into one another in perpetually shifting combinations, creating a magical world of shadow.
Shadow
Play simultaneously makes reference to shadow puppetry, an ancient form
of story telling and entertainment, and early optical technologies such
as the magic lantern and camera obscura. Magic lantern shows - popular
through the 18th and 19th centuries - used proto-type slide projectors
for phantasmagorical display and were generally considered a forerunner
to cinema. The camera obscura - a dark chamber where an image of the
outside world appears projected through a pinhole or aperture - set the
scene for the birth of photography.
The early photographer,
William Henry Fox Talbot, referred to his initial camera-less
experiments in photography as 'skiagraphy' or shadow drawing. Man Ray's
famous Rayographs and László Moholy-Nagy's 'photograms' are essentially
negatives of shadows, outlines of objects placed on light-sensitive
material which were then exposed. One of the first portraits was a
silhouette, painted on a wall around a shadow cast by a person's
profile. While shadow in Western, classical painting and photography
more generally, was used to produce the illusion of three-dimensional
form and to add a sense of mystery or drama to the illusion created.
Hans-Peter Feldmann's fantastical Shadow Play is a celebration of kitsch, a theatre of the absurd and an ode to the world of moving-image with its endless play of light and dark.
Shadow Play is supported by:
Arts Council Northern Ireland
Belfast City Council
Department of Social Development
Lottery Funding